RTL Today reported on the 8th edition of the Luxembourg Peace Prize in our RTL Reports video, published on Sunday. Our video report features an excerpt of Dame Jane Goodall’s video acceptance speech. The 85-year-old British primatologist and anthropologist was awarded the 2019 Prize for Outstanding Environmental Peace. CLICK HERE TO CONTINUE
Women are not the problem.
There has always been something grotesque about the idea that they are. But to embrace that idea in the #MeToo era is not just grotesque, but clueless. It suggests that you slept through a reckoning that has shifted the Zeitgeist.
So somebody please tell Ernst & Young to wake up and smell the 2019.
Our goal is to build the evidence-based case for a focus on women, peace, and security.
Georgetown University’s Institute for Women, Peace & Security seeks to promote a more stable, peaceful, and just world by focusing on the important role women play in preventing conflict and building peace, growing economies, and addressing global threats like climate change and violent extremism. We engage in rigorous research, host global convenings, advance strategic partnerships, and nurture the next generation of leaders. Housed within the Walsh School of Foreign Service at Georgetown, the Institute is headed by the former U.S. Ambassador for Global Women’s Issues, Melanne Verveer.
Across two decades of studies, persistent gender differences often chalked up to biology can be replicated by manipulating an individual’s level of power.
Described by Hall of Fame broadcaster Harry Caray as “a song that reflects the charisma of baseball,” ”Take Me Out to the Ball Game,” written in 1908 by lyricist Jack Norworth and composer Albert von Tilzer, is inextricably linked to America’s national pastime. But while most Americans can sing along as baseball fans “root, root, root for the home team,” few know the song’s feminist history.
from Gloria Steinem Tweet
We Are Makers by Amy Richards is based on the women highlighted in the MAKERS series. These are women who have broken boundaries and made the world a better place for everyone living in it.
Rebecca Brenner is a PhD candidate in history at American University in Washington, DC.
Last week, Sen. Elizabeth Warren delivered a speech before her largest crowd yet, in Washington Square Park in New York. She invoked the memory of former labor secretary Frances Perkins, a witness to the 1911 Triangle Shirtwaist fire, which took place adjacent to the site of Warren’s speech to argue that “big structural change” is possible through a combination of relentless activism outside of government and a leader like Perkins or Warren herself on the inside.
Warren, a Democratic presidential candidate, isn’t the first politician to use public memory of a historic figure to convey her message, but Perkins, who rarely receives national attention today, is a unique choice. Although Warren’s speech marks a key point in remembering Perkins, it also offers insight into the candidate’s hopes for a potential presidency. She depicted Perkins as a trailblazing female politician who fused progressive idealism and pragmatic policy change, exactly what she hopes to be.
Sonia Ann Johnson, née Harris, was born a fifth-generation Mormon in Malad, Idaho. She graduated from Utah State University, pursuing her M.A. and Ed.D. from Rutgers University after marrying, and through many moves and pregnancies. She taught English at American and foreign universities, working part-time as a teacher while accompanying her husband on overseas jobs. The family returned to the U.S. in 1976, buying a house in Virginia, one of the states that had not ratified the Equal Rights Amendment. Johnson became such an ardent supporter of the ERA that she was excommunicated by the Church of Jesus Christ of Latter-day Saints in 1979. She exposed the role of the wealthy Mormon Church in sabotaging passage of the ERA. She went on a 37-day hunger strike in the Illinois statehouse in 1982 during the last days of the ERA countdown to symbolize how “women hunger for justice.”
The Blue Ridge Music Trails are nestled within the North Carolina mountains and foothills, a region known for its spectacular beauty, moderate climate, Cherokee heritage, handmade crafts, small family farms, and, of course, its rich musical traditions. The geographic footprint of the Blue Ridge Music Trails consists of twenty-nine counties in the western third of the state.
RTL Update 2019
The 2019 edition of the Luxembourg Peace Prize, as organised by the Schengen Peace Forum and the World Peace Forum, was held on 14 June 2019.
When I was in the fifth grade I made it to the finals in both a public speaking contest and spelling bee—both were in front of the entire school. My tiny body strutted to the podium. The ocean of bobbing, grinning parents and siblings didn’t scare me. No nerves entered my body, instead, self-reliance fired into the audience. I puffed my chest out. My voice didn’t rattle—it rang clear.
I didn’t win first place in either contest. But I remember the poise and self-assurance I felt in front of all those people. At age 11, my confidence climbed.
But it only soared a little longer.
ISABELLA CARAPELLA / HUFFPOST
When women speak, they shouldn’t be shrill. Clothing must flatter, but short skirts are a no-no. After all, “sexuality scrambles the mind.” Women should look healthy and fit, with a “good haircut” and “manicured nails.”
These were just a few pieces of advice that around 30 female executives at Ernst & Young received at a training held in the accounting giant’s gleaming new office in Hoboken, New Jersey, in June 2018. CLICK HERE TO CONTINUE
BY ED PAVLIĆ in Poetry Foundation
“Please don’t refer to me as ‘Mother Murray,’” Pauli Murray chided a reporter from the New Haven Register in 1977. The newspaper was running a story about the then-67-year-old Murray becoming the first African-American woman ordained an Episcopal priest. The achievement was another first in what had been a trailblazing life marked by both triumph and strife.
by Jessica Valenti in GEN
Ten years ago today, I got married in an upstate New York ceremony that I planned down to the dinner napkin placement and band’s song order. I wore gray instead of white — I had just written a book decrying America’s obsession with virginity — and had spent the two previous nights meticulously punching out leaf-shaped pieces of paper with my then fiancé, pasting them on seating cards. It was a lovely and love-filled day.
The Matilda effect is a bias against acknowledging the achievements of those women scientists whose work is attributed to their male colleagues. This effect was first described by suffragist and abolitionist Matilda Joslyn Gage (1826–98) in her essay, “Woman as Inventor” (first published as a tract in 1870 and in the North American Review in 1883). The term “Matilda effect” was coined in 1993 by science historian Margaret W. Rossiter.
by Kate Clarke Lemay, Smithsonian Institution and Martha S. Jones, Johns Hopkins University
We are two historians whose work focuses on American art and on how African Americans have shaped the story of American democracy. Our two subject areas converged recently when one of us had a question, and the other helped her research the answer.
Kate was in the midst of organizing the National Portrait Gallery’s exhibition, “Votes for Women: A Portrait of Persistence,” commemorating the more than 80-year movement for women to obtain the right to vote. This exhibition is part of the Smithsonian American Women’s History Initiative, Because of Her Story. While doing her research, Kate encountered a character in history whose story she didn’t know, but who she anticipated would be important to the history the museum wanted to tell.
Who was Mary E. Harper? That’s the question Kate set out to answer. CLICK TO CONTINUE
by Anja Boynton in Medium
This morning, I woke up early for a work call. I walked out into my living room and was disappointed but unsurprised by what I found.
I made dinner last night. Baked lemon-herb chicken, garlic bread, mesclun salad with fig balsamic dressing, and grilled artichokes. It is my ambition to cook on most nights, but lately, that goal has felt out of reach, just another unchecked box on my ever-expanding to-do list.
A look at three paintings from the cusp of the 20th century that make a powerful argument for beauty.
When in 2014 the Getty Museum acquired Édouard Manet’s “Jeanne (Spring)” (1881), it commissioned a three-lecture series and invited the art historian Richard Brettell to be the first speaker. He, in turn, has now expanded his published version of those discussions to deal also with two other late 19th-century paintings in the Getty collection, Paul Gauguin’s still life “Arii matamoe (La fin royale)” (1892) and Paul Cézanne’s “Young Italian Woman at a Table” (1895-1900).
As Brettell notes at the start of his book, On Modern Beauty: Three Paintings by Manet, Gauguin and Cézanne, both ‘modern’ and ‘beauty’ have become highly problematic concepts, in part because of the legitimate concerns of feminists and scholars dealing with gender and colonialism. Click here to continue
by Andrea S. Johnson in History News Network
This week Mattel proudly announced two new dolls in The Inspiring Women Series of Barbies. Civil rights activist Rosa Parks and astronaut Sally Ride join a line that has previously featured aviator Amelia Earhart, artist Frida Kahlo, and NASA mathematician Katherine Johnson. The description of Rosa Parks though is a bit lacking as it claims that she “led an ordinary life as a seamstress until an extraordinary moment on December 1, 1955.” She is described as having a “quiet strength” that “played a notable role in the civil rights movement…” Click here to continue
Harlan Lebo is a cultural historian at the Center for the Digital Future at the USC Annenberg School for Communication and Journalism. He is the author of 100 Days: How Four Events in 1969 Shaped America. His previous books include Citizen Kane, Casablanca: Behind the Scenes, The Godfather Legacy, and Citizen Kane: A Filmmakers Journey. He resides in Los Angeles.
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