Once Overlooked, Female Old Masters Take Center Stage
n 1971, pioneering feminist art historian Linda Nochlin penned the now-iconic essay “Why Have There Been No Great Women Artists?” – a powerful critique on the ways in which women had been excluded from art history. Nearly 50 years later, the stories of the remarkable women who did break boundaries to achieve artistic acclaim are just beginning to be told. This January, Sotheby’s celebrates trailblazing female artists from the 16th through the 19th centuries with The Female Triumphant, a group of exceptional works of art that will be offered in our Masters Week sales. In spite of extraordinary obstacles, talented artists such as Elisabeth-Louise Vigée Le Brun, Fede Galizia, Michaelina Wautier and Elizabeth Gardner Bouguereau paved the way for future generations of artists everywhere. Below, four expert voices discuss how these artists changed painting forever. Click to continue
Tags: asheville womens magazine, old masters art, wnc womens magazine, women artists
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“Villages preserve culture: dress, food and dance are a few examples. As villages grow in population and turn into towns, local cafes make way for large American chains. Handmade leather sandals are discarded for a pair of Western sneakers.
Due to its small size, a village fosters a tight-knit sense of community. Justpeace.org explains the meaning of the African proverb, “It takes a village,” by stating that a sense of community is critical to maintaining a healthy society.
Village members hold a wealth of information regarding their heritage: they know about the ancient traditions, methods of production and the resources of the land. When villages become dispersed or exterminated in times of war, this anthropological knowledge disappears.
Large cities are not as conducive to growing and producing foods such as fruits and vegetables. Villages, on the other hand, usually have ample amounts of land and other resources necessary for growing conditions.” The Importance of Villages by Catherine Capozzi
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